"Play Me, I'm Yours" was a dream come true for me: playing piano on the streets of New York in just about every location imaginable. I can't thank Luke Jerram, sing for hope, and all the volunteers enough for pulling off this special event. It was amazing to see so many pianists come out and play, and especially touching to hear so many gifted and talented children step up to what is a very challenging instrument (and play it in public on one of the world's biggest stages).
In the beginning, I set out to play all five boroughs, but soon realized my day job wouldn't easily accommodate all the travel and logistics involved. So I reset my sights instead on playing every available Manhattan piano (and a few in Brooklyn and Queens). By the end of two weeks I had achieved my goal.
My pieces are all improvisations, so playing on the streets of New York allowed me to share my spontaneous, energetic music with a city whose rhythms and tones have informed and influenced my music for years. The chance to publicly give back to a city whose people, music, and spirit have brought me joy for decades was the opportunity of a lifetime. Thanks for watching and listening.
From the heart,
Sandy Santra
Vadim Ghin // Jul 6, 2010 at 6:18 am
To view montage of Chopin's Minute Waltz played by Vadim Ghin on all the street pianos from "Play Me I'm Yours - NYC 2010" please visit: www.theNYCminute.com
clare // Jun 30, 2010 at 11:04 pm
came by at 10pm to lock up the piano for the night and this guy was absorbed and playing beautifully.... (so i left him to lock up.....)
Brenda from Flatbush // Jun 30, 2010 at 3:05 pm
Taken by surprise by Bach on a beautiful Brooklyn morning!
William Gati // Jun 30, 2010 at 8:03 am
William Gati, Jon Weis and day camp children share a musical adventure. photo Ron Ekstein
In the beginning, I set out to play all five boroughs, but soon realized my day job wouldn't easily accommodate all the travel and logistics involved. So I reset my sights instead on playing every available Manhattan piano (and a few in Brooklyn and Queens). By the end of two weeks I had achieved my goal.
My pieces are all improvisations, so playing on the streets of New York allowed me to share my spontaneous, energetic music with a city whose rhythms and tones have informed and influenced my music for years. The chance to publicly give back to a city whose people, music, and spirit have brought me joy for decades was the opportunity of a lifetime. Thanks for watching and listening.
From the heart,
Sandy Santra